For us Austin gardeners worried about the effects of drought, heat, overuse and abuse on Zilker Botanical Garden, the gardens at Japan’s Adachi Museum of Art demonstrate what is possible under very different circumstances. Tuesday (6/20) Waturu Takeda and John Powell provided a window into another world of gardening to a room packed with eager gardeners at the Austin Area Garden Center .
Imagine a garden where a staff of gardeners works often 14 hours a day, every day of the year…a garden where vast beds and paths of gravel are swept every morning using a special technique, where the zoysia grass is clipped with small, electric hand shears, where brown leaves and clippings are brushed off the bushes and mosses, where hundreds of pine trees are pruned several times a year. And if there has been no rain by the end of the day, the entire garden is carefully drenched by hand with huge hoses.
In Austin, we argue about charging an admission to Zilker Botanical Garden to help protect it from boneheads who treat the garden like another playscape and thieves who walk off with the plants. In stark contrast, no visitor is allowed to walk through the gardens at the Adachi Museum of Art. Rather, the gardens are viewed from inside the museum, through windows designed to look like hanging scrolls. Each view of the gardens appears to be a living picture. All the intensive work of the gardeners is to ensure that the gardens remain picture perfect. The garden becomes part of the museum collection, complementing the seasonal changes of the artwork. The garden surrounds the museum, but the museum encapsulates the garden.
I’m curious whether other people at the presentation found inspiration in the beautiful film shown, “The Garden in Fours Season”. (I thought this mistitled as it showed the garden in spring, May, rainy season, summer, fall, winter, and early spring.) Is such perfection even desirable in a garden outside of the museum concept? Or did it feel sterile? too manicured? Each view of the garden is beautifully composed. But the real interest was noticing how the garden changed in time, through the seasons and through varying degrees of sunlight, rain, mist, and snow. The one view that I wanted to see that wasn’t in the film was the garden in moonlight.
Although John Powell hinted that concepts and techniques of Japanese gardening are transferable to the heart of Texas, the presentation did not touch much on that. Certainly there’s a big part of the summer in Austin where our gardens are best viewed from indoors. Aside from the concepts of borrowed views, strolling and viewing gardens, what can we learn from Japanese gardens?
I’m a hands-on person and a garden that is experienced primarily through sight ignores the textures, scents, and sounds that I think are vital to a garden. Zenko Adachi’s accomplishment in creating this magnificient garden must be admired. I’d love to visit it in person but it is not a garden I would want to replicate even on a small scale. Lacking the same resources of helping hands and water, my tiny Zanthan Gardens will remain mostly a garden of the imagination, hardly recognizable as a garden what with the laundry on the line, the sawhorses in the driveway, and hoses and tools lying about.